Los Angeles Art Gallery Tours

Illuminating the Los Angeles Art Scene

John Pearson, Oscillation/Fluctuation Series: SLG #12A, 2011, acrylic on canvas over reverse 'S' shaped strecher, 72 x 30 x 3 inches

John Pearson, Oscillation/Fluctuation Series: SLG #12A, 2011, acrylic on canvas over reverse 'S' shaped strecher, 72 x 30 x 3 inches

Pacific Standard Time, the sprawling, Getty-sponsored, 60-venue celebration of the emergence of the Los Angeles art scene, is already a major guiding consideration in much of the exhibitions scheduled across LA – even though the official event does not officially kick-off until October of this year. In a somewhat counter-intuitive approach to addressing the history of art in LA, Sam Lee Gallery in Chinatown is very intentionally mounting “Color Rise,” paintings by British-born, Ohio resident and internationally exhibited artist, John Pearson, whose last (and only) Los Angeles show was in the late ’80s.

Why John Pearson? Well, there are a couple of reasons:

First, something that wouldn’t be gleaned from looking at his work:

As I understand it, the 71-year-old Pearson was once, LA art giant David Hockney’s roommate back in the early ’60s when they were both art students in London. And, notably, from a practice-of-art standpoint, he shares Hockney’s penchant for technology – often employing computers to generate his imagery.

John Pearson, Oscillation/Fluctuation Series: SLG #18, 2011, acrylic on canvas over reverse 'S' shaped strecher, 72 x 34 x 3 inches

John Pearson, Oscillation/Fluctuation Series: SLG #18, 2011, acrylic on canvas over reverse 'S' shaped strecher, 72 x 34 x 3 inches

The more obvious reason is the strong influence of Los Angeles’s brand of hard-edged painting on Pearson’s canvases. He may not be from LA, but his artwork sure looks like it is – and in a creative medium based on surfaces, that’s more than enough to pass.

John Pearson, Continuum (Regeneration) Series: SLG #2, 2011, acrylic on canvas over reverse 'S' shaped strecher, 72 x 32 1/2 x 3 inches

John Pearson, Continuum (Regeneration) Series: SLG #2, 2011, acrylic on canvas over reverse 'S' shaped strecher, 72 x 32 1/2 x 3 inches

Employing super-flat, candy-colored hues of California sunlight to paradoxically simulate transparency (like the sliding glass doors and huge plate glass windows that tie together a bright Southern California landscape with a private interior,) Pearson’s geometric abstractions seem completely at home, right here in LA.


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