Jonas Wood really knows how to paint. In his most recent exhibition at David Kordansky Gallery, the Boston-born, Los Angeles resident delivers an oddly sincere art historical cocktail generously spiked with sizeable shot of himself.
He also provided me with the opportunity to learn a new German intellectual-type word, applied to this same show by an anonymous reviewer for the Huffington Post (apparently in reference to the artist’s BA in psychology.) The word is Unheimliche – which according to Wikipedia
“is a Freudian concept of an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being uncomfortably strange or uncomfortably familiar.” (more…)